I am redesigning a Needlepoint and stitching website, my partner and I have included a Home, Classes, News, Products, Q & A, Links and a Direction page. We need three more pages and are short for ideas….. What do you thihnk should be added?
how to make products
I've recently inherited a lovely needlepoint picture, however the person who owned it smoked alot. It wasn't covered in glass so it's had no protection. Any ideas?
Contact a needlework shop and ask them to reccommend a cleaner or framer who works with needlepoint. How it is handled will depend on the type of yarn uses (wool, cotton, silk) and the type of mesh it was worked on. Then it will need to be restretched for framing.
If you still want to try it yourself:
Go to Target,purchase "Folex". It's in an unsightly white bottle with purple letters. It's made for carpets but I use it on my suede couches, shoes, rugs, clothes, curtains, car interiors, etc. So far it has cleaned every bit of anything that was considered a "mistake"; wine, clay, blood, mustard, everything. It contains no harsh chemicals. You spray on, rub around with finger tips, then blot up with a paper towel. So far, nothing has faded. The only downside - I spot cleaned my Berber carpet - we actually had to have a cleaning crew come in and do an entire house cleaning because we had "new carpet" in all the spots I cleaned. It made the rest of the house look dingy!
Nancy opening needlepoint kit
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This is a list of supplies, tools, and how to set up to start stitching needlework.
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This is a list of supplies, tools, and how to set up to start stitching needlework.
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Nancy opening needlepoint kit
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Puffin Craft Strand Separator quickly and easily separates a wide variety of craft floss and yarns without tangles or knots. Patent Pending
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Create fabulously fruity motifs using the traditional art of cross stitch. These shaded strawberries bring the craft bang up-to-date and are ideal for embellishing all kinds of handmade projects.
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If you’re still with me after the pun, today I think we’ll divert a little from the tips and updates to show everyone this piece I came across yesterday. It’s not often that I find something in the media about needlework so when I stumble upon something, I try to share it with my readers so you can get a kick out of it just like I do. I must admit that I can only hope to match Mary’s technique when I’m her age. Even now I sometimes feel like my eyes and fingers could give out on me at any moment! I wish the pictures from the article were a bit clearer so we could see some of the detail she put into her work, but judging from the close up of her hoop and the stitch count she’s working with, I would say this is undoubtedly impressive. Anyhow, next post I promise we’ll be back with some more patterns and ideas, but for today, enjoy the story and feel free to comment.
BLOOMINGTON — Mary Roper was just 3 when she first tried to mimic her mother’s crochet skills using a piece of string she’d tie into knots.
She mastered it quickly, a sign of things to come.
As a child and young woman, Roper was enamored with sewing, crocheting and knitting anything and everything she could find. First doll clothes, then her own.
“I’ve done handiwork all my life,” she said. The fascination never ended and, with each pull, the thread slowly drew out an artist.
Today, just two years shy of 90, the great-grandmother continues her passion.
Her split-level home in Bloomington is overflowing with displays of her medium of choice, needlepoint, and its more complicated sister, petit point.
Working on the craft requires patience and creativity, a sharp eye, and careful finger work with a half-inch-long thin needle.
She starts her work in the middle of a canvas to make sure it’s centered. “I like to see it unfold. I say ‘Oh, here it comes,’ as the image develops,” she said of her detailed works.
One July morning, Roper visited in her living room with her daughter, Nancy Reed of Bloomington. Sitting in her armchair, she worked on a knitting project to pass the time.
When she gets serious, the medium she chooses is petit point.
“I like the challenge of it,” said Roper. Petit point (pronounced ‘pedipoint’) refers to needlepoint that goes beyond the standard stitches-per-inch counts. “I think an 18-count is on the border,” she said. Roper doesn’t use painted canvas, though she recommends those for beginners. Rather, she refers to charted books.
Using a textile canvas, a complicated spread of tiny fibers in various shades, a wooden hoop, and tapestry needle, she weaves her pieces. Currently, she’s working on a replica of the painting “Bouquet of Flowers” by Joseph Nigg. She turns on a powerful lamp stretched directly over her work and armchair, and then refers to a complicated book charting each color, and blends color. This pattern uses 32 stitches to the inch.
Roper came across petit point in the 1980s while living in the Quad Cities. She’d already been needlepointing 20 years. On her first project, in the early 1960s, her husband painted a dining room table and she needlepointed a design on the chairs to match. “We did a lot of work together,” she said, pointing to some needlepoints on the walls based on his drawings.
Mary Lynn Mullins, who owns the Yarn Garden in Bloomington, met Roper about 10 years ago, and has been in awe since.
“My friend said, ‘You won’t believe her needlepoint.’ Now, I thought of myself as pretty good at needlepoint. But when I saw Mary’s work, it was something,” said Mullins.
Most people who needlepoint stitch about 14 points per inch, she said. “But Mary does 30-, 32-, 36-count,” said her friend.
And it isn’t just the pack she punches into each inch that’s impressive.
“Her stitches are done perfectly. There’s no separation of fibers.”
Mullins describes an impressive use of silk thread, and Roper’s tendency to separate a 12-ply fiber and blend colors to make a new one. “She can almost paint the canvas. It looks like an oil painting,” said Mullins, who last month hosted an exhibit of Roper’s works at her store in the CII East Building.
“It must have taken her a week to put everything up here. And it only was supposed to be up one week, but through word of mouth everyone wanted to come see it so we held it week after week. It actually was there four weeks,” said Mullins.
Back home, and in their proper places, the framed works hang on every wall between paintings created by her late husband. Her bedroom alone has about 80 separate 10- by 14-inch pieces, each depicting an angel. And around every hallway corner is a stool, chair, or pillow needle-pointed into a design. Hanging in the closets are fashionable sweaters she’s knitted, and on the beds are beautiful quilts she’s crafted.
One room is devoted to her thread passion. A cabinet full of tiny drawers contains fibers for her craft. And, of course, the walls are full of her petit points.
Now retired and a widow, Roper almost always is doing some form of handiwork, or sometimes a crossword puzzle, to keep busy. But she admits, even when hers was the hectic life of a minister’s wife and working mother of five, she tried to do needlepoint as often as she could. These days, when she does go out, it’s often to Village Stitches or The Yarn Garden, local shops catering to the needle arts. She also likes to meet with informal knitting groups at the shops, socializing while working.
Reprinted with permission from The Pantagraph
By Michele Steinbacher
msteinbacher@pantagraph.com
The best part for me is that it has the ability to provide many hours of creative pleasure. I love watching something unfold on the canvas, while taking pride in my diligent work makes it even more fun and worthwhile. I would really like to hear from all of you. Care to take a moment and share your thoughts or feelings on what you enjoy most? Click Add Comment below and let us all know what needlepoint means to you.
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